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With illuminated slivers of the moon in the distance, a photographic series juxtaposes clusters of flowers in saturated reds and pink with expanses of cloudy, blue skies. (via Jeroen Apers)Īll images © Sophia Ahamed, shared with permission You can find more of his drawings, and keep an eye out for an expansion of the series shown here, on his Instagram. We can’t forget the natural world while we move further from it,” he says.īefore the end of the year, Lipnickas will show some of his works at Chicago’s Vertical Gallery and in a few virtual exhibitions with WOW x WOW. “The future holds many unknowns (technology and lifeforms). “This series really grew out of my interest in advanced technologies integrating with humans and how it shapes us moving forward,” he says.Īmidst the machines and eerie contraptions, the artist interrupts each building with a level containing a garden bed or an illuminated tree grove.

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Working in graphite, Lipnickas uses heavy shading to shroud his architectural renderings in mystery and unfamiliarity as tentacled creatures crack through the walls and humans become science experiments. New Haven, Connecticut-based artist James Lipnickas conjures towering sci-fi structures filled with futuristic labs, clashes with aliens, and massive laser beams shooting from rooftops. “Engineering Consciousness.” All images James Lipnickas, shared with permission “Study for ‘Worn Out'” is on view at the Van Gogh Museum through January 2, 2022, when it will be returned to the anonymous private collector who brought it to the Amsterdam institution to confirm its authenticity. “He actively called attention to them, too.”Īs its name suggests, the relatable pencil drawing is a preliminary rendering for van Gogh’s recognizable “ Worn Out” and is also reminiscent of the lithograph “ At Eternity’s Gate.” The piece is a unique find in the artist’s oeuvre considering his stature, and it follows the discovery of a bookmark in June that was hidden for more than a century. “In drawings like these, the artist not only displayed his sympathy for the socially disadvantaged-no way inferior in his eyes to the well-to-do bourgeoisie,” a statement said. A recurring model, the exhausted, elderly man was a resident at the Dutch Reformed Almshouse for Men and Women, a place van Gogh frequented when looking for subjects.

The uncannily prescient drawing, titled “Study for ‘Worn Out,'” dates back to 1882 during an early period of the Dutch artist’s life when he spent time in The Hague. Hunched over with his face hidden in his palms, the weary subject of a sketch recently attributed to Vincent van Gogh ( previously) embraces the collective spirit of 2021. “Study for ‘Worn Out,'” around November 24, 1882, pencil on paper, 48.8 x approximately 30 centimeters.